‘Crux: A Cross-Border Memoir’ by Jean Guerrero

crux-guerreroWhat is it that determines definitions: defines something as one thing instead of another? What delimits fiction from reality, sanity from insanity? Borders: the lines that stand between; the lines that distinguish “different” from “same.” Borders that are rarely clear and often obfuscated by our own perceptions, by what we bring to the table, the baggage we carry.

Borders are what Jean Guerrero investigates in her narrative nonfiction release Crux: A Cross-Border Memoir. Guerrero sets out not only to tell her story, but to tell that of her father through both her memories and the investigative work it requires to unravel her family’s troubled, and often curricular, past.

Guerrero begins by setting the scene, by introducing the reader to her parents, to what life was like growing up as the child of her parents. Her mother, an acclaimed doctor with expectations that reach no lower that straight-A grades and flawless chastity, holds one end of the parenting tight rope. Her father, a potential schizophrenic who sees every action as sabotage or a symptom of being spoiled, holds the other. Guerrero finds herself trying to walk between them, seeking desperately to both please and thwart their expectations, wishes, and demands of her.

Most of Guerrero’s life is spent without her father, wondering where he is, thinking he’s dead. The other part of the time, Guerrero spends (at least her childhood) terrified of her father. Terrified of his mania, of his accusations, of feeling like a failure in his eyes. Her mother spends most of Guerrero’s childhood trying to forget her husband, arguing that he’s schizophrenic and telling Guerrero, whenever she acts out of line in her mother’s eyes, that she suffers from the same mental illness. Her father meanwhile, claims he is being targeted by the CIA for mind control experiments, and Guerrero experiences moments that make her question the dubiousness of his statements.

Guerrero finds her way through her troubled childhood to come out an investigative journalist constantly seeking for the truth that alluded her as a child. But the biggest mystery, the biggest truth she hopes to hold is that of her father’s life. Travelling through Mexico to piece together the mystery of her family and her father’s past, Guerrero uncovers a cycle of abuse that has perpetuated her family’s suffering. She learns of the terrors that the women who came before her suffered to give her father life and her. She learns of the terrors her own father suffered and that potentially led him to the depths of his current despair.

A beautifully moving and terrifying memoir, Crux is a book that attempts not to teach, but to learn and keep on learning beyond the pages of its covers. Guerrero brings to the table systemic issues that cannot be eradicated by a single story, but she suggests that maybe through constant inquiry, searching, and an attempt to do better we can break free of the demons of our past.

Slated for release by One World Press on July 17, 2018, you can preorder a copy of Crux: A Cross-Border at your local bookstore.

Read more nonfiction book reviews at Centered on Books.

FTC Disclaimer: This book was given to me in return for a fair and honest review of the text.

‘Woman No. 17’ by Edan Lepucki

woman-no-17-lepuckiWoman No. 17 by Edan Lepucki is a novel about nothing more complicated than identity. Told from dual perspectives, Lepucki tears readers back and forth between two opposing yet coexisting worlds. The first, the world of Lady, is the perspective of a middle-aged house wife turned writer who is in the middle of a self-maintained separation from her husband and who is constantly thinking about her ex-boyfriend of 18 years ago who was verbally abusive. She is grappling to raise both her toddler Devin and her teenaged son Seth who suffers from some type of disability that keeps him from speaking. So, in her struggles, Lady puts a call out for a nanny. And who arrives but our second main character and voice, S. S is an artist who has just broken up with her boyfriend and who has decided to relive her mother’s past in an attempt to better understand her alcoholic, juvenile mother’s point of view.

Both Lady and S are constantly trying to redefine themselves through new names (Lady was once Pearl and then becomes @muffinbuffin41 on Twitter; S’s really name is Esther who is actually wearing the persona of her mother Katherine Mary), new titles (Lady is a housewife turned aspiring writer; S is an artist turned nanny), and even through the actions they partake in to become the personas they are trying to embody (Lady seeks companionship in the much younger S as well as romantic relations with the man who abandoned her for a $2,000 check; S has become an alcoholic and her mother for her character).

Woman No. 17 is twisted with heartbreak, humor, and a constant reminder of the pressures we put on ourselves to be everything that we aren’t. Lady and S are plagued by their inadequacies, by their pasts, and by the generational failure of their mothers to be good mothers. In their constant search for their own identities, Lady and S are also grappling with the identities of their deluded mothers who couldn’t take care of their children.

My one critique of the book is about Seth’s disability. Seth does show some of the hallmark signs of selective mutism (SM) in memories that Lady has from his childhood, especially because of the unstable home life that he had and the potential anxiety he was experiencing. However, in his adulthood, his lack of speech is clearly not a form of anxiety. He is not even shy, let alone suffering from social anxiety. Selective mutism is in and of itself an anxiety disorder and often does not persist past childhood, though symptoms of anxiety will follow children through their whole lives. While, Lady admits that she doesn’t know the cause of Seth’s disability, and perhaps it is just from her point of view that he has SM, I struggled with this label for him. Lady is clearly not thorough in any of her research, thought processes, or other areas in her life, so if we could chalk it up to Lady’s perspective and not Lepucki’s I’d feel more comfortable with the label. Nonetheless I feel like labeling Seth with SM in the novel portrays a false perception of the disability to readers, and SM needs a lot more coverage than it gets to begin with.

Despite this critique, a beautifully written and often tragically hilarious novel, Woman No, 17 has all of the elements of a success. While it often reads a bit slowly, I would argue that’s part of the structure and purpose of the book. Life is moving inexorably slowly for the character’s living in Lepucki’s world, and so it is for the reader too.

Woman No. 17 by Edan Lepucki was released by Hogarth in early 2018 and is available for purchase at your local bookstore.

Read more fiction book reviews at Centered on Books.

FTC Disclaimer: This book was given to me in return for a fair and honest review of the text.